Ko chun hsiung wedding hairstyles
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Even in the Taiwan of 1967 things were changing but not perhaps as quickly as elsewhere. Hsin Chi’s delightful “taiyupian” Taiwanese-language screwball rom-com Foolish Bride, Naive Bridegroom (三八新娘憨子婿) is a fairly late take on the arranged marriage vs love match debate which, perhaps surprisingly given the increasing conservatism of the era, comes down firmly on the side of the youngsters’ right to choose even while subtly poking fun at them for being naive and irresponsible, unable to forge independent lives for themselves and expecting the older generation to fix their mistakes while the parents eventually soften and in a sense free themselves from the oppressive values which defined their youths.
As the film opens, grumpy father A-Kau (Chin Tu) is complaining that his pot is already boiling but his son Bun-ti (Shih Chun) has not yet returned with the rice he sent him out to get. That’s because Bun-ti has taken the opportunity of the errand to meet up with his gi
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A Sun
2019 drama film by Chung Mong-hong
This article is about the 2019 film. For the star, see Sun. For other uses, see Sun (disambiguation) and The Sun (disambiguation).
A Sun (Chinese: 陽光普照) is a 2019 Taiwanese drama film directed and co-written by Chung Mong-hong. The film stars Chen Yi-wen, Samantha Ko, Wu Chien-ho, Greg Hsu, and Liu Kuan-ting. Its story centres on Chen Jian Ho (Wu), a troubled teenager who has been arrested, and Hao (Hsu), Ho's accomplished brother who commits suicide due to familial pressure. It explores Ho's re-entry into society and his father's efforts to acknowledge his son, something he had never done. Juvenile delinquency and suicide are the film's main themes, with visual motifs including light and dark. The film, which incorporates many conventions of Asian cinema, also explores socioeconomic inequality in Taiwan.
The film was conceived after a high-school friend told Chung about a crime he had committed as a teenager. This became the o
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As one of few Taiwanese filmmakers who studied abroad several decades ago, Pai Ching-jui studied in Accademia di Belle Arti di Roma in 1961 and Centro Sperimentale di Cinematografia di Roma in 1962. Inspired bygd Italian Neorealism, his works include healthy realism films and romantic films based on the novels written by Chiung Yao, who is one of the most popular romance novelists in the Chinese-speaking world. Pai tried to experiment with different kinds of picture composition and music in his films. Also, there fryst vatten some deep criticism of the era hidden in the light humor of the films.
From the 1960s to 1970s, people around the world was ansträngande to break free from the authority, pursue freedom, and seek their true self. Rock music and punk music emerged. The old studio system in Hollywood fell, and the world started to embrace European New Wave cinema. At that time, Taiwan’s film industry was restricted by its historical glitches, such as Japanese colonialism and the KMT policy of c