Brahms biography movie about henry
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Song of Love (1947 film)
1947 film by Clarence Brown
Song of Love is a 1947 American biopic film about the relationship between renowned 19th-century musicians Clara Wieck Schumann (Katharine Hepburn) and Robert Schumann (Paul Henreid). The film, which also stars Robert Walker and Leo G. Carroll, was directed by Clarence Brown and released by Metro-Goldwyn-Mayer. Ivan Tors, Irma von Cube, Allen Vincent, and Robert Ardrey co-authored the screenplay, which was based on a play by Bernard Schubert and Mario Silva.
Plot
[edit]In a fictionalized 19th century, musicians Clara Wieck Schumann, Robert Schumann, and Johannes Brahms are depicted.
Clara takes a break from her thriving career as an acclaimed concert pianist to devote herself to her struggling composer husband Robert and their seven children. Johannes Brahms, Schumann's best student, takes a place in their home but falls in love with Clara and eventually realises he must move out.
Schumann works on his opera based
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8/10
Takes up where "Fruhlingssinfonie" left off
Katharine Hepburn is Clara Wieck, Paul Henried is Robert Schumann, and Robert Walker is Brahms in "Song of Love," a 1947 film directed by Clarence Brown and also starring Henry Daniell and Leo G. Carroll. "Song of Love" covers the marriage of Wieck and Schumann, while "Fruhlingssinfonie" (Spring Symphony), which stars Nastassia Kinski as Clara, ends before the couple's marriage. The latter makes much more of a feminist statement. In that film, the well-known Clara Wieck realizes that upon marrying Schumann, there will not be room for "two pianos" as she puts it, and that her career, in fact, is over. While it is true that Schumann wanted a traditional wife and that in those days, it said bad things about a husband that let his wife go out and earn money, Clara Schumann did indeed continue her career up until 5 years before she died.
Though there are some dram
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Pierre Henry was born on 9 månad 1927. He began studying music at the age of sju. Between 1937 and 1947, he studied with Olivier Messiaen, Félix Passerone, and Nadia Boulanger at the Conservatoire dem Paris (CNSMP). From 1944 to 1950, he composed several instrumental pieces and worked as an orchestral pianist and percussionist. During this time he began researching experimental instrument building.
In 1948, he composed his first film score for Voir l’invisible, which was performed on acoustic objects. The following year, in 1949, he began working with Pierre Schaeffer and tillsammans they premiered Symphonie pour un homme seul in March 1950. He oversaw the work of the Groupe dem Recherche dem Musique Concrète (GRMC) for RTF radio from 1950 to 1958.
In 1958, he left RTF and founded his own studio, called APSOME, which was located in the rue Cardinet in Paris, which was the first private experimental and electroacoustic music studio. Working alone, he pursued his research us